SCULPTURE DESIGN

fishkin gif forest wind
fishkin gif forest wind

fishkin gif forest wind

Stagecoach
Stagecoach

Trump, John Wayne, injuns, mid-afternoon.

High Rise

Jimmy and the Duchess 60 x 60

Suffolk Red

DEER MALL wider
DEER MALL wider

Wander pink deer

Sculptural drawing
Sculptural drawing

Charcoal sculptural design

Swancote 74

Ada 1937 107 x 107
Ada 1937 107 x 107

A naked dip in 80 degree heat in the hills north of Santa Monica.

Wood sculpture - a lead on from the original stone version at Portland Quarry, Dorset.

Chiseled -relief- LARGE -120 x 92
Chiseled -relief- LARGE -120 x 92

Chiseled -relief- LARGE -120 x 92

The last long road...

Exhale
Exhale

Urbex seeps into many facets of your life.

Smear one
Smear one

painting 60 x 60

tower selection
tower selection

Float on Float on. Brighton late late Saturday night

Jubail 7
Jubail 7

Sculptural proof

Pont du Seine 105 x 105 -hi res
Pont du Seine 105 x 105 -hi res

Pont du Seine 105 x 105 -hi res

base foot flowergardenrust b
base foot flowergardenrust b

Visva updated-steel and patina

Abilispree -Charcoal sculptural drawing

Pinkominto
Pinkominto

Rising damp Malvern 2017

 Trump's new hand  138 x 80 JPEG
Trump's new hand 138 x 80 JPEG

flight and the ogres of non-flight

yellow yellow
yellow yellow
That New Years - SMALL screen grab
That New Years - SMALL screen grab
upneo
upneo
MINKT copy
MINKT copy
Up smoother850
Up smoother850
 Green orange LEATHERETTE- 2
Green orange LEATHERETTE- 2

Orange green leatherette relief.

uplemon
uplemon

uplemon

SOme Wan Light 61 x 60 -
SOme Wan Light 61 x 60 -

SOme Wan Light 61 x 60 -

Upstair please
Upstair please

Upstair please, London 87

THE CIRCLE PROJECT

 

   2000  - present day

The Circle Project began on New Years Day 2000 at an Iron Age hill fort in rural Shropshire, - a fresh millenium, a fresh project. I had been working with a spontaneous circle motif since about 1995, mostly in wood but later with in situ stone, particularly at Portland Quarry in Dorset , here, most blocks were too heavy to be removed and so remained where they came to be. On this New Years Day the circles were extended to carving on natural stone outcrops on public land,however,the idea was not for the sculptures to be easily accessible but rather stumbled across in years or decades to come, chance discoverys rather than easy finds.The location then was essential and  the most remote chiselling spots in the landscapes I was in were sought out. The days working at each location became a respite - no mind, only hands ,stone, chisel and mallet.

 

To date locations of finished works include remote parts of the Izu Peninsular, Japan: Kattegat,Denmark: the Tuscan Hills and Lago Di Garda, Italy, the Western Isles of Scotland: Dao Cat Ba,Vietnam , rural Cheonan,South Korea, Wadi-Rum,Jordan: Gebel Akhdar ,Oman The Surrey Hills,England: Ras Tanura , Saudi Arabia:Ghadames Bluffs,Libya: Siwa,Egypt.

 

 

 

 

 

 

 

Sculptures generally take one day to complete dependent on the hardness of the rock- the idea of the project is to reach a  point where there is only rhythm and intuition relating  to the density, fissures and natural contours of the rock, a place where still spontaneity creates an unlikely union.

 

Initially rudimentary diagrams were kept of trails leading back to the location of the work, this later progressed to abandoning the work entirely, leaving them uncharted to time and kismets of unknowable variation.

 

The project is currently on hold- for details see here

Izu peninsular Japan
Izu peninsular Japan

Sleeping out, Hot springs

Ghadames Bluffs Libya
Ghadames Bluffs Libya

Deep south, desert

Stone mallet, chisels
Stone mallet, chisels

Mallet ,chisels